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4 Of The Best Things To Come Out Of Desert X AlUla

The free and open to the public event featuring large-scale site-specific works welcomed over 9,000 visitors.

Desert X AlUla, which activated the unique desert landscape of AlUla through installations by 14 artists, welcomed over 9,000 visitors during its five-week run. The first site-responsive exhibition of-its-kind in Saudi Arabia, organised collaboratively by Desert X and the Royal Commission for AlUla (RCU), fostered cross-cultural dialogue, creating exchange among artists, curators and the international and local community.

Here are four positive things to come out of the event:

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Engagement with local communities

Engagement with local communities at the event co-curated by Saudi curators Raneem Farsi and Aya Alireza with Desert X Artistic Director Neville Wakefield included the participation of a group of women weavers. Lines and Colours got involved in Sherin Guirguis’ installation by creating a “tracing” of the inner ring of the artist’s Kholkhal Aliaa sculpture in Sadou, the traditional tent weaving technique. Similarly, Wael Shawky’s mud house was inverted with a Bedouin-style tent on top of its roof rather than the ground, made in collaboration with local artisans. Additionally, artist-run workshops organised by Sherin Guirguis, Manal Al Dowayan and Zahrah Al Ghamdi brought local women artists to the exhibition site to preview the work and discuss how to find your voice as an artist, build a commission proposal and develop an idea for a work. Plus, the exhibition’s school and university programmes brought together 200 students from the AlUla county to participate in on-site educational workshops led by Saudi artists Dalia Bakhurji and Abdelrahmen AlShahed. These were focused around sculpture making using wire and contemporary calligraphy.

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